Here is a dark #ambient track I made in late 2017. It features synths, samples, PaulStretch and reverb. No surprises there. This track made it onto my album "Faders"
"The Entropy Clause"
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Whatsisname — Here is a dark #ambient track...
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This is a dark, sombre, gloomy #ambient piece I that I made in 2017. This was released on my album "Faders" in 2020. It features synths and samples.
"Elysian Fields"
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Elysian Fields
More sombre atmospherics from the palace of paint. Murkiness and gloom are the order of the day. One of these days I shall make a cheerful piece of music, but I've been saying that for a while. This i
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Synths and samples make up the instrumentation on this 2017 #ambient piece from my album "Faders". I may have used some reverb, too.
"The Crossing"
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The Crossing
This is the follow-up to Elysian Fields, musically, but could possibly represent an alternate scenario. After I had completed this, I kept
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Here is a piece of minimal #ambient that I made in 2018. It features 3 synths, all using their built-in reverb. This track features on my 2023 album "E tenebris oritur lux".
This is "Subaqueous"
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Subaqueous
My first track to be released in 2018. I've been quite busy with other stuff (mainly work) lately, so it was a relief to finally get some time to work on new music. There are no external reverbs on th
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Synths and samples make up the make up the instrumentation on this 2017 #ambient piece from my album "Faders". I may have used some reverb.
"The Crossing"
soundcloud.com/whatsisname/...
The Crossing
This is the follow-up to Elysian Fields, musically, but could possibly represent an alternate scenario. After I had completed this, I kept
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Here is a piece that I put together in early 2017 inspired by the track artwork on SoundCloud. It's an #ambient #orchestral #choral #cinematic #electronic #hybrid #thingy featuring synths, samples, PaulStretch, reverb, and some inspiration.
"L'Énergie Concentrée"
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L'Énergie Concentrée
This piece has a Space/SciFi theme. It is a hybrid Orchestral/Choral/Synthesizer driven piece of space ambient speculation featuring a sample I downloaded from NASA's SoundCloud page. The music was in
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Here is a #dark #ambient track I made in early 2020, which managed to make it straight onto my "Faders" album from the same year without any of my usual remix shenanigans.
"Et in arcadia ego"
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Et In Arcadia Ego
This is the third piece of a quadrilogy (whose other parts are already complete). It's quite a depressing piece, soon to join its siblings on the first ever Whatsisname ambient release due in the very
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This is a piece of dark(ish) #ambient music I made in 2016 for an AmbientOnline album featuring synths, sampled synths , reverb, reversals and shenanigans.
This is "Disproportionate"
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Disproportionate
I suppose this is a clunky fusion of ambient and Berlin School featuring synths, processed audio, samples, and some
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This is a piece of #ambient music I made in late 2017. It features synths and a field recording made in my garden. It could almost be a soundtrack. Hopefully, this moment will not be lost in time.
"Tears in Rain"
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Here is an #ambient piece I made in 2015. In addition to the synths, it features a field recording and some PaulStretched chanting.
"A Gathering"
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This is a piece of #ambient music that is hijacked somewhere along the way and turns into a jolly piece of electro. It features synths ,samples and reverb. Lots of reverb.
"Axis Part 2"
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Axis Part 2
This is my first new piece for over 3 months. It seems to be increasingly difficult to find time for making new tracks this year. This is the companion piece to Axis Part 1, which appeared in March 20
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This is a piece of #ambient music I made in late 2017. It features synths and a field recording mad in my garden. It could almost be a soundtrack. Hopefully, this moment will not be lost in time.
"Tears in Rain"
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Written in 2010, and remixed 3 times in 2013, This dark #ElectroProg dirge features synths, samples and lots of reverb. Again, this is not the released album version.
THX-15
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THX-15
Originally recorded over 9 hours in October 2010, immediately after installing SampleTank Free, the August 2013 Edit/Remix/Master took 10 hours and consisted of shortening the piece, splitting out the
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I put this #ambient piece together in August 2014. Within 7 weeks I had remixed it a further 3 times. If features synths and 'trons. And reverb. Not the released album version.
"Beacons"
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Beacons
This track was put together for the Ambient Online Compilation: Volume 3 which contains over eight hours of high quality ambient tracks by various artists for the bargain price of $8.99 and also conta
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This is "Itch". I wrote it in 2010, remixed it an 2012 and again in 2017. It features different mastering to the released album version. It's a darkish electro piece utilising lots of reverb.
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#electro #reverb #dark #arpeggiation
Itch
This took 9 hours to record in June 2010, and was the first track I completed in 1 day. The 2012 remix took 9 hours. I shaved off over 1 minute, made some minor arrangement changes and sharpened up th
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here is a piece of dark #electro that I made in Summer 2010, and remixed in 2013 and 2020, before release on my "Undercurrents" album. It even features a short gloomy #ambient midsection.
"Critical Mass"
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Critical Mass (2020 Remix - 2020 TRackS5 Master)
This was written in July 2010, and had a major remix in January/February 2013. The 2020 Remix was a minor tidy-up on my new machine . I encountered a lot of problems during the 2013 remix. They re-sur
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This is the original (2015) version of "Departure From the Heartlands". If features some PaulStretched synth, samples and reverb. It was inspired by a trip to Thailand. #ambient
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Departure From The Heartlands
This track is my submission for the Ambient Online Compilation Volume 5. I put together the original track about a month ago using vocal samples recorded in Thailand but didn't want to take any copyri
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Here is an #ambient #cinematic hybrid from 2017. It features NI Reaktor5. This is not the released version.
"Sagarmatha"
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Sagarmatha
I was working on a new track and was 90% finished with the composition and 40% done with the mixing. I was having problems writing the ending and had not managed to advance the composition for 4 or 5
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I originally recorded this piece of ProgRock in 2009, and remixed it in 2011 and again in 2013. It was later released on my album "Occultation" in 2014. It features synths, samples and a bass guitar.
This is "Breath"
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Breath
Again, this is leaning more towards Prog. This features GTG 44 S quite heavily. the original track took 12 hours to record in December 2009. The December 2011 edit/remix/master took 12 hours and was q
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Here is a chilled out, relaxing piece of near #ambient music that I made in 2016. It features a subtle build towards the end, and a great Reaktor patch. This is not the album version.
This is "Paraxial"
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Paraxial
A loop-based piece of sequencing containing a few random elements, some of which were not entirely intentional. The three note melodic motif is recalled from Parallax. I find the collection of sounds
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Here is the 2019 master of "Yun". It was originally recorded in 2010. After 3 subsequent remixes between 2012 and 2017, it finally made it onto my 2021 album - "Undercurrents". It's an #ElectroProg #TranceFusion combo.
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Yun (2017 Remix - 2019 T-Racks5 Master)
This is the 2019 Re-master of Yun using T-Racks5. The track was originally written in 2010, but has had a couple of remixes since then. This has a more
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I made this piece of hybrid #ambient #cinematica in 2020 entirely with a couple of softsynths, an arpeggiator and some heavy reverb. It turned out quite well.
"Illuminate"
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Illuminate
An arpeggiator walks into a bar. It was reverb night.
Slow, sombre and atmospheric.
Somewhere a sun is rising.
Here is a gloomy #ambient piece that I made in 2016. It's minimal and dissonant. This is not the released version.
"Ventilator"
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This piece of (mainly) electronic Prog Rock was originally put together in 2010, and refined by remixes in 2012 and 2017. Featuring a £130 Ibanez Gio, some samples and lots of synths.
This is "Not As We Know It", from my 2017 album "Indefinite Articles".
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Not As We Know It
This took 12 hours to record in May 2010. The 2012 edit/remix/master took about 18 hours, including 3 hours wasted when EnergyXT crashed during a monster EQ session! This track originally had the Kore
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This piece of (mainly) electronic Prog Rock was originally put together in 2010, and refined by remixes in 2012 and 2017. Featuring a £130 Ibanez Gio, some samples and lots of synths.
This is "Not As We Know It", from my 2017 album "Indefinite Articles".
soundcloud.com/whatsisname/...